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Solid hardwood construction in Natural finish
Solid end cut hardwood butcher block top
Round front utility drawer on metal drawer glides for easy movement
Heavy brushed steel handles on the sides for double as towel racks on top and hold your accessories in place on side ++++ves
Open storage in center
9-Bottle wine rack on bottom is removable
Heavy duty locking rubber casters for easy mobility and safety
Rubber is quiet and easy on floors

Solid wood construction in Red finish with Granite top
4-Utility drawers
2 cabinet doors open to storage with adjustable ++++f inside
Handy spice rack with Towel bar
Paper Towel holder
Heavy duty locking rubber casters for easy mobility and safety

Solid wood Natural finish with Zinc coated steel legs and accents
Top comes fully assembled
Extra thick angled wood top
Two easy open drawers on glides
Two metal side bars / towel hangers
One slatted wood ++++f
One steel basket ++++f
4 Industrial grade rubber casters, 2 locking for safety and mobility

Two spacious rattan drawers organize your kitchen utensils
Lower ++++f provides plenty of storage space for larger items
Kitchen towels hang neatly on the wooden towel holder
Casters for easy mobility
Easy to assemble

This casual contemporary, generously sized, kitchen cart is finished in a rich brown mindy wood tone finish on solid rubber wood
Features storage for 10 bottles, a full storage ++++f on the bottom, 2 drawers, industrial casters (2 that lock), 4 end pegs for towels and kitchen implements and a large black marble top for easy food prep and cleaning.
Some assembly required.

This Kitchen Butler® with rich "Marquis Cherry" finish is designed to give you the space to prepare, the storage essential for gourmet food preparation, and the option to use it as a breakfast bar.

This Kitchen Butler® is your all-in-one kitchen storage and food preparation center. Designed to give you the space to prepare and the storage essential for gourmet food preparation. Now you can have the same full function food prep area as the professionals use.

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Panera kitchen Collection

The doors create an exclusive setting made even more precious by a series of accurately elaborated details.

La Masseria Kitchen Collection

La Masseria is a kitchen that is able to recreate a traditional kitchen atmosphere in the modern home.


Golea Kitchen Collection

The contemporary classicism of Golea perfectly combines past and present.

Posted by tomy at 6:31 AM 0 comments

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Posted by tomy at 6:25 AM 0 comments



modern kitchen,italian Collection


Mia Kitchen Collection

The versatile character of Mia kitchen collection is demonstrated in a wide variety of door colorings: white, striped effect, peach, blue, ash,and apple green. A choice that also provides a whole host of chromatic combinations to play with! The design is light, linear and clean, and there are many accessories that make it easy to use.

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Knotty pine cabinets in a Shaker style make for an eclectic country kitchen. Positioning the four-burner range directly across from the double-basin stainless steel sink, with the microwave and dishwasher within easy reach, makes the floor plan highly functional.

Terra cotta floors, knotty wood cabinets and blue and white tile are typical country kitchen touches. A mural, such as the one painted on this wooden range hood, helps to personalize your space.

White ceramic tile countertops, hardwood floors and oak cabinets create a traditional American style for a country kitchen. The white enamel pro-style range and hood add pizzazz and a splash of stainless steel.

A black finish, combined with bottom drawers and glass-front upper doors, makes the storage cabinets at left look like a furniture hutch. The curved-spout faucets and barrel-shaped range hood create country kitchen charm.

Light wood flooring and beaded inset maple cabinetry, custom stained and glazed, create a warm, monochromatic look. The blues and greens of the backsplash murals and fresh flowers provide lively accents and a natural, woodsy feel.

The long, multilevel kitchen island seats the whole family and boasts expansive space for multiple +++++ng or school projects. Recessed lighting and pendant light fixtures complement the natural light from multiple windows.

A red, yellow and green tile mural stands out from the cream-colored cabinets and light stone flooring. Exposed ceiling beams and a hanging pot rack convey farmhouse charm.

Polished black granite kitchen countertops break up the white cabinets and highlight their leaded glass fronts.

With a Wolf range against the wall and a cooktop on the lower level of the island, this country kitchen calls for two range hoods. The mix of copper and stainless steel, as well as the dark and light cabinets and two shades of granite, help to create an unfitted, historical look.

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Designed by Award winning San Francisco industrial and furniture designer Rick Lee, the Trio Bedroom Collection is multi-functional and harmoniously versatile.



The Trio bed comes with a book++++f that is a fixed to the rear of the dramatically high headboard. Fully veneered and finished, it may be used as a room divider if the bed is positioned in a large bedroom; frame is built on a sturdy wood platform.

The Tabby Contemporary Bed is a plain and simple bedroom suite but with a lot of in-built rawness. The low-lying Italian design is an extension and personification of lavish space for pure personal comfort. A lavish, wide personal area is a natural advantage provided by the fantastic design. Finely cut and chiseled with an artistic sense of beauty, the Tabby Contemporary Bed is a reflection of contemporary times where there is more stress and more demand for personal space and comfort.

The TAI bed include an impressive queen or king bed with a 33" headboard that serves as a stylish support board, two elegant nightstands on which you can place dimly-shaded night lamps, and an optional chest of finely crafted drawers to keep your bedroom paraphernalia. Both the king and queen sets are available in attr wenge and teak finishes. The fresh glow of the wenge and teak finishes smacks of wooden freshness and newness.

The modern Waverly Platform bed with beautifully finished hardwood frame and headboard. This contemporary platform bed presents a modern take to the sleigh bed, and old favorite. The slight curves on the headboard give this contemporary platform bed frame a sleek sophisticated style. The Waverly is available in a wenge finish. Mattress sits on top a solid pine-slat mattress base for stylistic durability and added comfort. Box springs are not required with platform beds. Solid hardwood construction with wenge veneer.

Unconventional designs seem to throng the market these days, and bedroom suits are no exception. The beauty and charm of the Saffo Modern Bed does not lie not only in its impressive design but also in the optimization of space and the neat arrangement of elements. The inspiring Italian design focuses on optimum smooth comfort. In fact, there is an air of smoothness all around the Saffo Modern Bed.

The Argo Bed signifies a combo of balanced synergy and harmonious interaction of elements. The contemporary design thrives on perfect artistic finishes, carefully crafted symmetrical edges, and an ergonomical balance. A dark hue of power emanates from the elegant bed.

The TAI - Ambiente Bed promises a stress-free combo of comfort and luxury with a perfect balance. The elegance and style not only entice the body but also the mind. The TAI - Ambiente set is a perfect way to relax in a balanced combo of comfort and luxury

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In a corner of the living room is a Japanese screen which dates from the late 16 th century and depicts the Imperial horse stables. The carpet is late 17 th century Chinese and the pair of Huanghuali horseshoe back chairs are part of a set of four 17 th century pieces.

Clean lines, lack of ornamentation and a subtle colour scheme characterize Kai-Yin Lo's living room, where Chinese art is hung on the walls with architectural precsion. A pair of window panels features the persimmon in a four-petal design. ¡°One of the earliest plant motifs used in China, the persimmon dates more than 1,800 years to the Han dynasty,¡± she says. On a Ming side table at the back of the room is a pot filled with 200-year-old fungus called Lingzhi found in Anhui province.

Looking through the living room into the Dining room , flanking the door is a pair of mountain landscapes by Fu Bao Shih, 1940. The large figure on the left is 12 th century Japanese, the Chinese carpet is late 17 th century / early 18 th century. The barrel stool in the foreground is made of Laohuali, a style of rosewood. Such stools were originally made of bamboo, hence their shape. The top is marble ¨C ¡°Very good as it doesn't leave stains when people pry their drinks down on them¡±, notes the owner.

A pair of sofas dressed in pale textured fabrics stand in the center of Kai-Yin Lo's living room, defining the seating area in the flowing, open plan space. Recessed and spot lighting illuminate her extensive collection of Chinese art and furniture. A low platform functions as a coffee table; it was originally one of the earliest types of raised seating in China. This rare piece dates from the 18 th century and is made of nan mu (a variety of cedarwood). It is constructed of three modular sections which can function as a single platform (pictured here), or used separately as smaller seats, stands or low tables. On top is a miniature Ming display table featuring a collection of Buddhist knots of destiny. A silk padded screen, featuring artworks in ink and colour, shields the dining room from the living area. A 3 rd -century Gandhara Buddha from the Indus Valley stands serenely in the entrance hall.

Rocks are treasured by Chinese collectors as objects of art,¡± explains Wu. ¡°They symbolize nature and can be brought inside so one can contemplate nature indoors.¡± This malachite stone from Shilu Mountain is an impressive example.

A classic 16th-century Ming lute table stands against the far wall; it would have been an important part of the scholar's accoutrements of the time. Calligraphy is regarded as the highest form of art in China and Wu Bruce has a spectacular collection. Hanging behind the lute table is a 16 th -17 th -century scroll by Zheng Da Qian which depicts the lone scholar in the mountains. The pair of calligraphy couplets are by early 20 th -century calligrapher Lin San Zhi; they refer to furniture. In the foreground, a dash of contemporary style is added with colourful Iranian rugs. The extremely heavy yellow wax ¡®Lashi' stone symbolizes nature being brought inside.

Floor-to-ceiling glass panels overlooking a central stairway help open up the interior of this four-storey London house. In the living room, things are kept architecturally minimal with white walls, a pale wood floor and spot lighting. The clean-lined approach is maintained with select pieces of pared-down antique furniture. A Ming luohan chuang (couch bed)-which would have originally been used for relaxation, meditation or conversation, often moved onto a terrace or into a garden to enjoy nature from-stands against the rear wall; to the left is a carved candlestand.

In the library, a 19th-century Anatolian kilim hangs on the wall; to the rear is a 17th-century Huanghuali painting table and a 16th-17th-century southern official's armchair. In the foreground, and Elmwood and red lacquer 19th-century ladder rests against the bookcases. The occupants prize the form of the furniture over the media used to create it as the most important feature in their collection.

Living with Ming: in a corner of the master bedroom, a Huanghuali Ming table and a southern official's armchair function as a desk area; above the desk hangs a textile from the Kaitag region of Daghestan, dated to the 18th-century or earlier. Neolithic pots, Japanese 19th-century baskets and a modern pot by Jeff Shapiro fill ++++ving units on either side. The landscape painting on silk is by Fu Shan (1607-1684 )

Carol Lu elegantly installed classic, clean-lined Ming furniture within a quasi-industrial palette in her light and airy Hong Kong apartment. In the entranceway, the concrete floor is tactile, durable and childproof. A sliding oak door seals off the space that features a burgundy back wall, a spindleback chair and a huge atmospheric canvas by Paris-based artist Zao Wuki.

White walls, a striped cream sofa and beige carpeting form the backdrop to a collection of Chinese antiques in the living room. With a nod to practicality, Chang added a glass top to an old wooden trunk engraved with country scenes. Against the wall stands a pair of Qing dynasty wod and brass doors from Shanxi province; near the sliding doors to the dining room is a 1930s cabinet which demonstrates the mix of Western and Chinese elements characteristic of the time. The glass in the bottom section is original.

A mix of custom-made Western-furniture, Chinese antiques and vibrant contemporary Chinese artworks produce Shanghai chic with an international edge. Shanghai's art scene is still in its infancy and Chua has selected work by prominent Chinese artists that, at present, are making more of an impact on the global scene than at home in China. In the entrance hall hangs a dramatic work by Shen Fan, untitled, 1995.

In the living room of Brad Davis and Janis Provisor's apartment, a seepskin throw is draped over a pistachio green sofa; a 1940s chair is covered with leopard-skin print fabric and an Isamu Noguchi lamp stands in the corner. Hanging above the brick fireplaceis a watercolour by Janis Provisor; on the mantelpiece is a collection of Italian glassware from the 1950s alongside antique Chinese jars and vases. On the wall hangs a pair of calligraphy scrolls.

Against the dining room walls stands a pair of mahogany Chippendale chairs. Between them is a slim 18th-century Elmwood sidetable from Shanxi province; on top is a pair of baluster vases, decorated in underglaze blue with polychrome enamels in the Chinese Imari style of the 17th century. The portait is of Viscount Wenman, painted in 1680 by Mary Beale, one of the few female artists of the period.

In the living room, a rare 18th-century child's horseshoe backed armchair made entirely of bamboo stands next to a 16 th -centruy Ming Kang table covered in woven bamboo and lacquered in red over black. In the foreground is a low table displaying 18th - and 19th-century Tibetan silver bowls. The Tang horse is a fine example in apple green glaze, with its original unglazed saddle.

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